After a recent concert given by Kelvin Grout, the critic was observed rushing out of the hall in tears, refusing to speak with anyone and later writing ‘..an incredible experience, you simply don’t hear anyone play the piano like this anymore!’ The press have also described him as ‘the keyboard wizard‘ and another critic gave him the title, ‘Dr Touché‘.
The English pianist Kelvin Grout is best known for his work as a vocal accompanist, working with many of the world’s foremost singers. Celebrating sixty years behind the keyboard, Kelvin, in addition to his accompanying work, is now enjoying life as a soloist, lecturer, teacher and film producer. He is the Director of The Lieder Academy, an international institute, based in the Netherlands, which is fast gaining a reputation of being the leading venue for the study and performance of Art Song.
Recently Kelvin Grout returned to the podium as a soloist and received high praise for his unique approach to the romantic piano repertoire. This has led to a new CD on which he will record Brahm’s op118 and Schumann’s Kreisleriana. The recording is scheduled for summer 2017, with release late 2017. There are plans for a second solo CD including Mussorgsky’s Pictures at an Exhibition.
24 and 25 March – Beethoven Concerto No1 in Breda and Tilburg
A new Hugo Wolf Society is currently under construction to promote Kelvin Grout and his expertise in the music of Hugo Wolf. The great soprano Elisabeth Schwarzkopf once declared, ‘if there is Hugo Wolf on the programme, then you need Kelvin Grout as the accompanist.’ This new organisation will endeavour to record the entire collection of Wolf’s songs on CD. The first recording of Wolf’s Mὅrike Lieder will use up to 15 singers from various countries and is scheduled to begin late 2017.
“I recently met Kelvin Grout in Germany and discovered that to sing with him is like a gift from heaven. As a singer all you need to do is to listen, lean back, open your mouth and dare. Kelvin guides you into the right atmosphere of the song, will tell you the whole story just by playing the piano. Through this he opens up a new world and leads you to the limits of the possible – emotionally, musically and technically. His pianissimis are breathtaking. Caressed by the sound of the piano the singer floats on the music. Voice and piano become one, while the audience is invited to witness, to participate.” Mariella Baier – soprano